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an enhanced AE-1
The Canon AV-1 was a 35mm single-lens reflex camera introduced by
Canon in 1979. The AV-1 is in essence an enhanced AE-1,
with aperture priority AE rather than the more expensive — but easier to use
shutter speed priority AE.
Even though the cameras would cost more to produce and therefore to buy, shutter
speed-priority AE cameras were important to Canon since users could set and use
shutter speeds easier than aperture settings. However, in the United States and
other markets, aperture-priority AE 35mm cameras were more popular.
When this camera appeared, a new type of FD lens was introduced, featuring
instant mounting & un-mounting of the lens. This was called the New FD mount
and did away with the older type of mounting ring which was fitted on to the
rear of the lens and was awkward to use and needed two hands (and which used to
wear), to a newer, easier system whereby the user lined up the red dot on the
lens, with the red dot on the camera and simply turned the whole lens until it
clicked into place.
A low-cost FD 50mm f2 lens was made available for the AV-1, rather than
the more expensive f1.8 and f1.4 lenses.
All the other AE-1 accessories also fitted the AV-1
Aperture
priority. That's a Canon?
Canon SLRs are synonymous with
shutter speed priority automation in exposure control and it is kind of odd to
discuss an aperture priority AE camera. But the AV-1 was a conventional
looking, aperture priority automatic exposure (AE), single-lens reflex (SLR)
camera just like most SLRs available during the late '70s and mid '80s. All
you have to do is:
1) Mount the
lens
2) Load and check the battery
3) Select an aperture (the f-number on your lens, which relates to diaphragm
opening) best suit your needs on Depth of Field control and snap,
that's all.
Although Canon
has highlighted the point where it is important to have the appropriate shutter
speed to achieve a sharp picture and prevents blurred pictures that will be
created due to unsteady camera movements, the Aperture priority AE mode still
has its place in Canon's stable. In fact, other than Canon and Minolta which
offered both Shutter-priority and Aperture-priority AE in one of their
respective models (See Minolta's XD-7
in within the MIR site), the other major camera manufacturers only have aperture
priority AE as the prime automation for exposure control for their models until
the mid-80s. Any
AV-1 user can guess what the initials stands for - Aperture Value, which were
also used by Canon to signify the Aperture-priority AE mode in all its cameras
having this mode, including the models in the EOS System.
Even though there were more technicalities involved, the other way around should
be more logical - because with electronically-controlled shutter, stepless
shutter speeds like 1/189 sec or 1/25 sec can be made possible while mechanical
aperture value control can never be made stepless or to such refined values as
the shutter speed
(However, the later Canon
EOS System
made it possible to do so).
Well, that was a fussy remark because most of the time, other than the usage of
less tolerance slide film, the printer in any of the numerous one-hour color lab
can create more damage to your final print than the little exposure variation we
are talking about.
All you need to do is turn the aperture ring on
the lens to set an aperture, focus and press the shutter button. The camera does
all the rest - provided the main control dial has been set to the "A"
mark.. When shooting your subject under backlighting condition, you only need to
push an extra switch to compensation for the exposure (Add more light to a
backlit scene to make sure the eventual photograph won't turn out too dark).
The AV-1 uses Centre-weighted Average as its metering
option. For excessive backlit situations, using the backlit compensation button
may not be enough to provide the adjustment needed to ensure a correct exposure.
In this case, move in closer to the subject until it fills up the frame (or when
the brightly-lit area is hidden), press the backlit button, lock in the setting
by maintaining finger pressure on the shutter button halfway, move back,
recompose and shoot. Alternatively, if you are shooting with a zoom lens, just
zoom in and get a close-up meter reading, lock it and zoom back to the focal
length where you want to shoot the subject at.
Just in case, if you don't know
much of what this camera can do, reading the following will give you a quick
idea. The AV-l:
> It can use Canon FD lenses or;
> use
older Canon FL lenses;
> With
Canon accessories for getting closer to little things;
> You
can handle darkness just as broad day light
> Even
with light behind your subject in daylight
| Marketed |
May
1979 |
| Original
Price |
57,000
yen (w/New FD 50mm f/2) $475.00 US
1979 |
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Even though the
camera would cost more, shutter speed-priority AE cameras were important
to Canon since users could comprehend shutter speeds easier than
aperture settings. However, in America and other overseas markets,
aperture-priority AE 35mm cameras were in the majority.
Overseas
distributors also clamoured for an aperture-priority AE model. Canon
responded with the AV-1.
When this camera
appeared, a new type of FD lenses featuring instant mounting/demounting
was also introduced. A low-cost FD 50mm f/2 lens was made available for
the AV-1.
|
| Type |
35mm
focal-plane shutter SLR camera |
| Picture
Size |
24 x
36 mm |
| Normal
Lens |
Canon
New FD 50mm f/1.8, New FD 50mm f/2 (Quick mount/demount type) |
| Lens
Mount |
FD
mount |
| Shutter |
Four-axis,
horizontal-travel focal-plane shutter with cloth curtains. X, B, 2, 1,
1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500, 1/1000 sec. All
speeds stepless and controlled electronically. Built-in self-timer (with
adjustable delay and blinking LED). |
| Flash
Sync |
X-sync
hot shoe. |
| Viewfinder |
Fixed
eye-level pentaprism. 0.87x magnification, 92% vertical coverage, 93%
horizontal coverage. Split-image rangefinder encircled by microprism
rangefinder at center of fresnel matte screen. Exposure meter needle,
shutter speed scale, overexposure and underexposure warnings, battery
check index and camera-shake warning, and Flash-ready indicator
provided. |
Metering
&
Exposure Control |
SPC
for TTL full-aperture metering with aperture-priority AE (centerweighted
averaging). Metering range at ISO 100 and f/1.4: EV 1 - 18. Film speed
range from ISO 25 to 1600. |
| Power
Source |
One
4G-13 6 V mercury oxide battery or 4LR44 alkaline battery |
Film
Loading &
Advance |
Slotted
take-up spool. Advances with camera-top lever's 120 stroke (partial
strokes enabled). Ready position at 30. |
| Frame
Counter |
Counts
up. Resets automatically when camera back is opened. |
| Film
Rewind |
Camera-top
crank |
Dimensions
&
Weight |
139
x 85 x 48 mm, 490 g |

Not just a Flash in the
Pan
 |
It has a range of dedicated
speedlites for you to cover the dark:
- With Canon Speedlite 133A
- With Canon Speedlite 155A
- With Canon Speedlite 177A
- With Canon Speedlite 199A
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Just
slip one of these flashes onto the AV-1, set an aperture on the flash, and set
that same aperture on the lens. The flash would give out just the right amount
of light to your subject. You can also shoot continuously at 2 fps
(frames-per-second) wiith the Canon Power Winder A or even the newer Power
Winder A2.You can use many of the other system accessories within the huge Canon
FD photographic system. The AV-1 was one of the few Canon bodies that offered
Aperture Priority AE mode instead of the more familiar Shutter Priority AE, an
autoexposure feature that the camera manufacturer is very popular with. For
those enjoys wuch simplicity of operation, the AV-1 camera is good enough to be
used for most of the common photographic applications. I believe the Canon AV-1
is an extremely well made SLR camera and it offered a good performance for its
price, but if you are looking for a used SLR body to start your photographic
journey, please note that the manual focus Canon FD-mount system has been
replaced with the autofocus, fully electronic-type of lens mount in the EOS
System. The two system are not compatible with each other. You have to be alert
on this if you are putting the AV-1 as one of your primarily consideration when
looking for a used SLR camera. I like to ensure that any of the visitors to my
site will be well informed on most facts pertaining to the discontinued Canon
manual focus models.
There are some strength and weaknesses in the camera design as well, the most
noticeable is still the use of the outdated horizontal
travelled fabric shutter curtain
design (Contax, Nikon and Yashica have already used vertically-traveled
metal-type of focal-plane shutters then), since its usage can affects other
specifications such as the maximum sync speed that could be offered. Anyway, if
you already bought an AV-1 camera, this site may be helpful for you to
understand this camera better (or an orientation for some who doesn't know that
the camera they have is the Canon AV-1 all these years..) - don't let what I
have mentioned earlier to put you off, either. Sometimes, you tend to use
'modern standard' to measure an old faithful, which is not fair at times,
despite my earlier remarks - given the price (below US$120 for a used unit), I
would still rate the AV-1 as a very attractive option for entry-level photo
enthusiasts.


Download
the AV-1 User Manual here (a .pdf file)
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