AE-1

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The Big Commercial Success

The AE-1 camera was launched in 1976 by Canon Co., Ltd. and employed electronically controlled shutter with cloth curtain and shutter-speed-priority AE system. Since the camera was equipped with automatic winding mechanism and continuous shooting mode with the Winder-A (which was an option), it was a big hit, and it is said that it was sold more than four million five hundred thousand worldwide.

HISTORY of the LARGEST SELLING SLR of the time...
The Canon AE-1 was the first 35mm SLR camera to be controlled solely via a built-in Central Processing Unit (CPU) and made SLR photography available to beginners and amateurs at a reasonable prices - with a record of over 5 million units been sold worldwide, the success of which firmly established Canon as the leader in camera innovations.

 

The original AE-1 was lacking a programmed AE mode, while the fabulous spec Canon A-1 has six exposure control modes in all - of which the Programmed AE was one of them. Users generally realized the convenience of the Program AUTO. In fact, the early eighties was the era where full automation in camera design really took off. Competition such as Olympus OM-4, the Nikon FG and Pentax's Program A have added more flavor into such a competitive market place. But the real killer was the Minolta's X-700, with the MPS (Minolta Program System) and TTL flash exposure metering, and even though Minolta's optic are fully capable of providing shutter priority AE, the X-700 has mysteriously turned to aperture priority AE instead and omitted shutter priority AE from its feature list.

It revolutionized many of the concepts for future camera designs especially in the field of electronic applications and mass produced technique with a lower cost of production with the use of plastic injection molding, resulting in simpler assembly of parts. It also popularized and made devices like Power Winder and electronic Speedlites a household name in the consumer market. The camera was controlled entirely by electronics precision rather than by mechanical functions - and depends solely on battery power for all of its functions. Despite defying the mainstream camera design concept in the '70s, the AE-1 came through well and attained a huge during its availability years. This was very much due to Canon's efforts in promoting the camera - it offers very precise and stable timing of shutter speeds, which was also extended to other areas like auto flash-synchronization speed when any dedicated Canon electronic Speedlite is used. Although the technologies employed within the AE-1 looked very simple when compared with today's modern SLR cameras, it has to be remembered that during its era, the market was still dominated largely by those heavy, mechanically-controlled type of cameras. Canon used these points to enhance the advantages of electronic applications in camera designs - where in many areas, electronic cameras do offer much more precise timings and other features that can never be matched by mechanical technologies.

However, the AE-1 was not in anyway a professional-grade SLR as compared to the Canon F-1. It was generally regarded as a classic and top amateur SLR model due to the impact it has created with its then innovative concept that went on to influence other future camera designs, both Canon and other makes, of the industry as a whole. The camera was eventually replaced by a newer model with added features, the AE-1 Program in 1981, following on the success of Canon's semi-pro and top-of-the-line A-series camera, the multi-mode Canon A-1, which made its debut in 1978.

bulletDOWNLOAD AE-1 USER MANUAL (a .PDF file)


Marketed April 1976
Original Price 81,000 yen (w/FD 50mm f/1.4SSC), $680.00 US 1976
4,000 yen (case)$33.60 US 1976

Introduced in April 1976, the AE-1 was a very successful camera worldwide.
When the AE-1 came out, TTL manual-metering models (including the Canon FTb and FTb-N) were still the mainstream in the 35mm SLR market. Auto-exposure models were still at the very top end of the SLR market. They were expensive and produced in small numbers.

The AE-1, however, was designed from the ground up with five major units and twenty-five minor units. They were centrally controlled by a microcomputer. By incorporating electronics, the parts count could be reduced by 300. The manufacturing of the camera was also highly automated. This made it possible to produce a low-cost camera having high-end features.

Type 35mm focal-plane shutter SLR camera
Picture Size 24 x 36 mm
Normal Lens Canon FD 50mm f/1.4 SSC, FD 50mm f/1.8 SC
Lens Mount FD mount
Shutter Four-axis, horizontal-travel focal-plane shutter with cloth curtains. X, B, 2, 1, 1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500, 1/1000 sec. All speeds controlled electronically. Built-in self-timer (with blinking LED).
Flash Sync X-sync automatic-switching sync contacts with German socket and hot shoe.
Viewfinder Fixed eye-level pentaprism. 0.86x magnification (EX 50mm), 93.5% vertical coverage, 96% horizontal coverage. Split-image rangefinder encircled by microprism rangefinder at center with a fresnel matte screen. Exposure meter needle, aperture scale, overexposure warning, stopped-down aperture metering needle and battery check indicator, and underexposure warning LED provided.
Exposure
Control
SPC for TTL full-aperture metering with shutter speed-priority AE or TTL stopped-down match needle manual metering (centerweighted averaging). Exposure compensation range of +1.5 EV. Metering range at ISO 100 and f/1.4: EV 1 - 18. Film speed range from ISO 25 to 3200.
Power Source One 4G-13 6 V mercury oxide battery or 4LR44 alkaline battery
Film Loading &
Advance
Slotted take-up spool. Advances with camera-top lever's 120° stroke (partial strokes enabled). Ready position at 30°. Winder A also optional for power winding.
Frame Counter Counts up. Resets automatically when camera back is opened.
Film Rewind Camera-top crank
Dimensions &
Weight
141 x 87 x 48 mm, 590 g
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