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The Big
Commercial Success
The AE-1 camera was launched in 1976 by Canon Co., Ltd. and employed
electronically controlled shutter with cloth curtain and
shutter-speed-priority AE system. Since the camera was equipped with automatic
winding mechanism and continuous shooting mode with the Winder-A (which was an
option), it was a big hit, and it is said that it was sold more than four
million five hundred thousand worldwide.
HISTORY of the LARGEST SELLING SLR of the time...
The
Canon AE-1 was the first 35mm SLR camera to be controlled solely via a built-in
Central Processing Unit (CPU) and made SLR photography available to beginners
and amateurs at a reasonable prices - with a record of over 5 million units been
sold worldwide, the success of which firmly established Canon as the leader in
camera innovations.
The original AE-1
was lacking a programmed AE mode, while the fabulous spec Canon
A-1 has six exposure control modes in all - of which the Programmed AE was
one of them. Users generally realized the convenience of the Program AUTO. In
fact, the early eighties was the era where full automation in camera design
really took off. Competition such as Olympus OM-4, the Nikon
FG and Pentax's Program A have added more flavor into such a competitive
market place. But the real killer was the Minolta's X-700, with the MPS (Minolta
Program System) and TTL flash exposure metering, and even though Minolta's optic
are fully capable of providing shutter priority AE, the X-700 has mysteriously
turned to aperture priority AE instead and omitted shutter priority AE from its
feature list.
It revolutionized many of the
concepts for future camera designs especially in the field of electronic
applications and mass produced technique with a lower cost of production with
the use of plastic injection molding, resulting in simpler assembly of parts.
It also popularized and made devices like Power Winder and electronic Speedlites
a household name in the consumer market. The camera was controlled entirely by
electronics precision rather than by mechanical functions - and depends solely
on battery power for all of its functions. Despite defying the mainstream camera
design concept in the '70s, the AE-1 came through well and attained a huge
during its availability years. This was very much due to Canon's efforts in
promoting the camera - it offers very precise and stable timing of shutter
speeds, which was also extended to other areas like auto flash-synchronization
speed when any dedicated Canon electronic Speedlite is used. Although the
technologies employed within the AE-1 looked very simple when compared with
today's modern SLR cameras, it has to be remembered that during its era, the
market was still dominated largely by those heavy, mechanically-controlled type
of cameras. Canon used these points to enhance the advantages of electronic
applications in camera designs - where in many areas, electronic cameras do
offer much more precise timings and other features that can never be matched by
mechanical technologies.
However,
the AE-1 was not in anyway a professional-grade SLR as compared to the Canon
F-1.
It was generally regarded as a classic and top amateur SLR model due to the
impact it has created with its then innovative concept that went on to influence
other future camera designs, both Canon and other makes, of the industry as a
whole. The camera was eventually replaced by a newer model with added features,
the AE-1
Program
in 1981, following on the success of Canon's semi-pro and top-of-the-line
A-series camera, the multi-mode Canon
A-1,
which made its debut in 1978.

| Marketed |
April
1976 |
| Original
Price |
81,000
yen (w/FD 50mm f/1.4SSC), $680.00 US
1976
4,000 yen (case)$33.60 US 1976 |
|
Introduced in
April 1976, the AE-1 was a very successful camera worldwide.
When the AE-1 came out, TTL manual-metering models (including the Canon
FTb and FTb-N) were still the mainstream in the 35mm SLR market. Auto-exposure
models were still at the very top end of the SLR market. They were
expensive and produced in small numbers.
The AE-1, however,
was designed from the ground up with five major units and twenty-five
minor units. They were centrally controlled by a microcomputer. By
incorporating electronics, the parts count could be reduced by 300. The
manufacturing of the camera was also highly automated. This made it
possible to produce a low-cost camera having high-end features.
|
| Type |
35mm
focal-plane shutter SLR camera |
| Picture
Size |
24
x 36 mm |
| Normal
Lens |
Canon
FD 50mm f/1.4 SSC, FD 50mm f/1.8 SC |
| Lens
Mount |
FD
mount |
| Shutter |
Four-axis,
horizontal-travel focal-plane shutter with cloth curtains. X, B, 2, 1,
1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500, 1/1000 sec. All
speeds controlled electronically. Built-in self-timer (with blinking LED). |
| Flash
Sync |
X-sync
automatic-switching sync contacts with German socket and hot shoe. |
| Viewfinder |
Fixed
eye-level pentaprism. 0.86x magnification (EX 50mm), 93.5% vertical
coverage, 96% horizontal coverage. Split-image rangefinder encircled by
microprism rangefinder at center with a fresnel matte screen. Exposure
meter needle, aperture scale, overexposure warning, stopped-down aperture
metering needle and battery check indicator, and underexposure warning LED
provided. |
Exposure
Control |
SPC
for TTL full-aperture metering with shutter speed-priority AE or TTL
stopped-down match needle manual metering (centerweighted averaging).
Exposure compensation range of +1.5 EV. Metering range at ISO 100 and
f/1.4: EV 1 - 18. Film speed range from ISO 25 to 3200. |
| Power
Source |
One
4G-13 6 V mercury oxide battery or 4LR44 alkaline battery |
Film
Loading &
Advance |
Slotted
take-up spool. Advances with camera-top lever's 120° stroke (partial
strokes enabled). Ready position at 30°. Winder A also optional for power
winding. |
| Frame
Counter |
Counts
up. Resets automatically when camera back is opened. |
| Film
Rewind |
Camera-top
crank |
Dimensions
&
Weight |
141
x 87 x 48 mm, 590 g |
| Publicity
& Ad's
 
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